4/2/2024 0 Comments The silence marathi movieThe Silence, then, is a gentle reminder that for women, the struggle is real. You know women aren’t treated equally everywhere, but you don’t know what these women – and women in these situations out in the real world – have to go through. It’s one of the reasons why Ahire’s films are often so powerful, and why The Silence will affect you even though it doesn’t tell you anything you don’t know. Then, the godown is framed like an unending abyss, as she walks deeper into it.Įven in other scenes, when we see a girl or woman in the frame with a man, there is much to discover about the dynamic between them just by the way they are positioned. Except when Chini enters it for the first time, and she’s about to experience the worst thing that could happen to her. Thus, a godown we see many times in the film, remains just that – a godown. You don’t discover the characters based merely on what they say and do, but also by the spaces they inhabit, and how Ahire chooses to frame them. Nothing is accidental, everything has meaning. The thing about Ahire is, for him a shot is never just a device to frame characters in. The film hurts at many levels, because as always, Ahire’s frames are gorgeous and layered with meaning. A still from Gajendra Ahire's The Silence.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |